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Cultural Organizing for Community Change, Frankfort, KY

Cultural Organizing for Community Change (Frankfort, KY) provided a space where artists, activists, cultural workers, organizers and educators from across Kentucky came together to strengthen their relationships, and deepen their capacity to use the tools of creativity, imagination, and culture for social justice organizing. This participatory workshop featured case studies, tools, strategies, networking and relationship building.




Culture, Planning, and Community Engagement Course

This experiential mini-course for Pratt Institute's Programs for Sustainable Planning and Development investigated arts and culture, broadly defined, as a critical part of envisioning and building an equitable and sustainable Chicago. Through site visits, tours, and conversations with practitioners and policymakers we explored the intersection between arts, culture, media and participatory planning. 

Creative Engagement and a Moral Economy for All

This blog is the introduction to a longer essay inspired by the Network of Ensemble Theater's Appalachian MicroFest. I learned in Appalachia what it looks like when culture, place, identity, and community come together in the struggle for social justice. I witnessed how mountaintop removal causes great pain, and experienced music as an integral part of organizing. I became aware of the long record of misrepresentation of Appalachian people and their history by the media and how this misrepresentation has been used to justify the exploitation of the region’s resources. 



Stories & Placemaking

Tuesday, March 5th ast 1pm EST, 10am PST

Cultural practice and artistic expression breathe life into communities.They create opportunities for individuals and institutions to transform their sense of self and relationships with one another, and share their local traditions and ways of being.   

This conference call looks at the power of place-based culture to create community narratives, advance racial and economic equity, promote participatory democracy, and foster self-determination and inclusion in rural communities.  We will hear from five presenters about culturally-based work in a diverse range of contexts addressing themes that include traditional practice, opportunities for young people as emerging leaders, cultural economies, ecological and cultural stewardship and cross-sector partnerships.  

Call Organizers:
Javiera Benavente, Arts & Democracy Project
Amalia Deloney, Arts & Democracy Project

Presenters included: 
Lori Pouier, First Peoples Fund
Walter Mack, Penn Center
Ada Smith, STAY Project
Bineshi Albert, Southwest Organizing Project
Matthew Fluharty, Art of the Rural and Rural Arts & Culture Working Group
 

Cultural Organizing Weekend in New Orleans, Louisiana

This workshop provided a space where artists, activists and organizers learned effective ways to deepen their work and increase their impact by activating the tools of creativity and imagination.  By using a combination of local and national resources, the workshops also promoted networking and collaboration.

Artist and architect Bill Mackey’s project maps transit routes based on people’s actual uses and place names

Placemaking and Belonging

Wednesday, February 13, 2013 at 3pm EST, 12pm PST

Cosponsored by Arts & Democracy Project, National Alliance for Media Arts and Culture, and Network of Ensemble Theaters.

We hear a lot about creative placemaking these days. Some like the term and others don't. On this conference call, presenters discussed what sorts of creative placemaking practices strengthen self-determination and belonging within a community. The call illustrated the power of place-based arts and culture as an integral part of equitable, democratic, and culturally vital communities and explored placemaking in the digital sphere. 

Call Organizers:
Aggie Ebrahimi Bazaz, NAMAC
Javiera Benavente, Arts & Democracy Project

Call Co-Facilitators:
Karen Mack, LA Commons
Kathie deNobriga, Arts & Democracy Project

Call Presenters:
Gretjen Clausing, PhillyCAM
Roberto Bedoya,Tucson Pima Arts Council
Robert Gipe, Higher Ground, Appalachian Program at Southeast Kentucky Community & Technical College  
Anusha Venkataraman, El Puente Greenlight District
Caron Atlas, Naturally Occurring Cultural District Working Group (NOCD-NY) and the Arts & Democracy Project

Respondent:
Maria Jackson, Claremont Graduate University

Making Change in Chinatown

Asian Americans United Executive Director, Ellen Somekawa, writes about cultural organizing in Philadelphia’s Chinatown. She effectively communicates the life of a Chinatown resident, stressing the importance of valuing local cultures with a unified message and a sense of humor via the arts.
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Relief & Recovery: The Transformative Power of Arts & Culture Conference Call

Wednesday, November 28th at 3pm EST, 12pm PST

We all know the power of arts and culture to heal and transform, connect people and build community. In the wake of Hurricane Sandy, artists and cultural organizers are stepping up to use their creativity to rebuild the city and rebuild community. They are helping people tell their stories and sing together, offering cultural and wellness activities in evacuation shelters, organizing benefits, and providing leadership to recovery efforts. They've helped to restore dignity, build community, make connections, and heal. 

Call Organizer
Caron Atlas, Arts & Democracy Project

Call Facilitator
Kathie DeNobriga, Arts & Democracy Project

Call Presenters
Michael Premo, Occupy Sandy
Rachel Falcone, Sandy Storyline
Caron Atlas, Armory Wellness Center
Casey Shae, Armory Wellness Center (artists' experience)
Melanie Cohn, Council on the Arts & Humanities for Staten Island
Marina Tsaplina, artist project for Occupy Sandy
Jessie Reilly, Timebanks NYC
Lili Trenkova, Dixon Place Benefit
Mimi Pickering, Creative Recovery Arts Corp. (on behalf of Feral Arts)
Stephanie McKee, Junebug Productions (New Orleans, LA)
Shereitte C. Stokes, Cradleboardfoundation (New Orleans, LA)

Humanity After the Storm

Arts & Democray Project director Caron Atlas describes how people came together to create a Wellness Center at the Park Slope Armory evacuation center following Hurricane Sandy and experienced the power of arts and culture to restore respect and dignity in a disaster.

Election Call: This is What Democracy Looks Like

Thursday, September 20th at 1:00pm EST,10:00 PST

This call highlighted the great work that is happening in civic participation and arts and culture, and shared opportunities to get involved. It addressed elections, but even more so the ongoing work that is happening to strengthen our democracy. The call featured presenters from across the country who are working to protect voting rights and make sure that those who have been historically disconnected from decisionmaking have opportunities to participate. Artists and media makers who are using their creativity to increase inclusion and participation also shared their work. And we heard from people who are working on what happens after the election to make sure that democracy can thrive in our daily lives.

Call Organizer 
Caron Atlas, Arts & Democracy Project 

Call Facilitator
Kathie deNobriga, Arts & Democracy Project

Call Presenters
Rachel Bishop, League of Young Voters
Richelle DeVoe, National Voter Registration Day
Nelini Stamp, Dream Defenders
Robert Karimi, Peoples Cook
Tracy Sturgivant, State Voices
Laura Muraida, Southwest Workers Union
Erin Potts, Air Traffic Control
Melanie La Rosa, Futura Media Group, America by the Numbers
Andrew Morton, Shop Floor Theatre Company

Ice sculpture by Ligorno/Reese melted at the two political conventions 

What Democracy Looks Like

Caron Atlas reflects on democracy in the thick of the election season and the anniversaries of 9/11 and Occupy Wall Street. 
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Creative Placemaking and the Politics of Belonging and Dis-belongong

This essay by Roberto Bedoya raises thoughtful questions about the increasingly popular practice of Creative Placmaking and we have reposted it here with the hopes of stimulating dialogue. Writes Bedoya, "I embrace Creative Placemaking and its aspiration as is manifests in a variety of methods —from city planning to art practices with a goal of advancing humanity. But I am bothered by what I consider a significant blind spot – a blind love of sorts – in the Creative Placemaking discourse and practices. I am referring to a lack of awareness about the politics of belonging and dis-belonging that operate in civil society.The essay was originally posted on Arts in a Changing America

Cultural Organizing for Community Change, Brooklyn, NY

Cultural Organizing for Community Change provided a space where artists, media makers, organizers and policy makers could learn effective ways to deepen their work and strengthen their capacity to use the tools of creativity, imagination and organizing for community change. The workshop included cultural organizing framework, skill building workshops, networking opportunities, and an intergenerational conversation with cultural organizers. 


Participatory Budgeting NYC Creative Resources

Arts, culture, and media were integrated into Participatory Budgeting in New York City (PBNYC) in its 2011-2012 inaugural year. This list of creative resources, compiled by Arts & Democracy Project with the Arts and Culture Committee of the PBNYC Citywide Steering Committee, is intended as an inspiration for year 2.
South Oxford Space

Forum on Innovative Uses of Space

On August 15 from 9:30am -12:00 pm Arts & Democracy Project is joining the Naturally Occurring Cultural District Working Group - NOCD-NY and Urban Bush Women to cosponsor a forum on innovative cultural uses of space. The forum will take place at the South Oxford Space, 138 S. Oxford, in Fort Greene, Brooklyn and is free of charge. Registration is required and is on a first come, first served basis.

Email NOCDNY@gmail.com to register.


Cultural Organizing: Integrating Arts & Culture with Organizing

Tuesday, July 24th at 3:00pm EST,12:00 PST

Cultural organizing is a core practice of the Arts & Democracy Project that exists at the intersection of arts, culture and activism. Cultural organizing integrates arts and culture into organizing strategies. It is also about organizing from a particular tradition, cultural identity, and community of place or worldview to advance social and economic justice. This call will focus on four different approaches to to this practice. 

Call organizer/moderator 

Javiera Benavente, Arts & Democracy Project

Call Presenters 

Carlton Turner, Alternate ROOTS
Michelle Miller, SEIU Artist Residency Project
Myrna Martinez Nateras, Tamejavi Festival & Fellowship
Tufara Muhammad and Marquez Rhyne, Zilphia Horton Cultural Organizing Project

Shifting Culture Making Change

Center for Media Justice Executive Director Malkia Cyril recently wrote a piece for Organizing Upgrade on communications strategies for building a national narrative for progressive social change. She argues for a comprehensive strategy for progressive social change that impacts both heart and mind. We've reposted the Blog here.


Civil Rights, Human Rights, and A Moral Economy for All

Arts & Democracy co-hosted a book party to celebrate the publication of "Helen Matthews Lewis, Living Social Justice in Appalachia." The Brooklyn event featured Helen in a rare New York City appearence along with book co-editor Judi Jennings and special guest Marie Cirillo. The presentation shared Helen's lifelong commitment to activism and included her writings on environmental justice, moral economy, global solidarity, and powerful women taking a stand.

Urban Bush Women at SEIU Convention

Guest Blog by Maria Bauman, Urban Bush Women 

The convention felt like a family reunion, with members addressing one another as “Sister” or “Brother,” and receiving warm greetings and rousing affirmations from SEIU president Mary Kay Henry. The Colorado Convention Center had become the largest organizing hub I have ever seen; think of a kitchen or a black church and then magnify times 10,000! 


SEIU artist residencies

Arts & Democracy Project and SEIU (Service Workers International Union) are partnering on artist residencies in six SEIU locals in Miami, Florida; Central CA; Las Vegas, NV; Minneapolis, MN; Toronto, ON; San Juan, Puerto Rico.  Each of the residencies will create an artwork to be presented at the SEIU convention in Denver in May 2012. 

From the SEIU convention!

We are at the Service Employees International Union convention in Denver and are thrilled to see the results of the artists residencies that we cosponsored with the union. Here's a preview of the artwork and performances from locals in Florida; California; Minnesota; Ontario, Canada; and Puerto Rico.

Arts & Democracy Testifies at City Council Hearing

Arts & Democracy is a proud member of the NOCD-NY coalition whose members testified at a joint hearing of the NYC City Council's Arts and Small Business committees. As a result of NOCD-NY's organizing and presence at the May 11 hearing much of it focused on naturally occurring cultural districts. We presented a series of recommendations for how the city could support NOCDs and neighborhood based cultural economies and illustrated the recommendations though our member's testimony. 


(Photo: Dave Sanders) 

Home-buying With Artists in Mind

Arts & Democracy Project and ArtHome (Brooklyn, NY) recently hosted a FREE: Artist Homeownership Workshop, which created a working dialogue for participants who were looking to purchase a home.  The event took place at Groundswell Community Mural Project, where there were student paintings still drying on the walls and was further made possible by the co-sponsorship of City Council Members Brad Lander and Steve Levin and the Brooklyn Arts Council.
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Culture, Planning, and Community Engagement

This experiential course, created for Pratt Institute's Programs for Sustainable Planning and Development investigated arts and culture, broadly defined, as a critical part of envisioning and building an equitable and sustainable Los Angeles. Through site visits, tours, cultural events, and conversations with practitioners and policymakers representing multiple perspectives, we explored the intersection between arts and culture and participatory planning.

Animating Democracy Has a New Web Site!

Animating Democracy's new web site is inspirational, informative, and promotes and connects arts and culture as potent contributors to community, civic, and social change. Animating Democracy co-director Pam Korza takes us on a tour of this great new resource.


Time to Vote!

What does your neighborhood need?  An improved park? Safer streets? A community cultural space? After six months of participatory budgeting in New York the polls are opening and its time to vote!

Creative Engagement: From Civic Dialogue to Direct Democracy

March 7, 2012 3pm EST, 12 noon PST

The conference call focused on creative engagement through civic dialogue, cultural asset mapping, and participatory budgeting. 

Call organizers/moderators

Caron Atlas, Arts & Democracy Project 
Pam Korza, Animating Democracy 

Call Presenters
Town Hall Nation: Michael Rohd, Sojourn Theatre
Participatory Budgeting: Donata Secondo, Participatory Budgeting Project and Caron Atlas, Arts & Democracy Project
Tuscon Meet Yourself, Marbel Alvarez


Image: jcbonbon

Welcome to Our New Web Site!

We’re so happy to have this attractive new online home. We think this site is better able to explain our work, share resources, and highlight some of the exciting work our partners and allies are doing in the field.

Read on for an introduction to some of the features you’ll find here...

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We've Been Busy!

Arts & Democracy has jumped into the new year with a workshop in New Orleans, a new collaboration with Service Workers Union International, collaborations in New York City, and a national briefing call about environmental justice.

The Line: An Unemployment Demonstration March 6

On March 6, Super Tuesday at 8:14 am an unemployment line with thousands of people holding pink slips over their heads will stretch through Manhattan from the Wall Street bull to Union Square. Join this powerful collaboration between artists and labor.   

Cultural Organizing for Community Recovery

This weekend-long workshop in New Orleans provided a space where artists and organizers learned effective ways to deepen their work and strengthened their capacity to use creativity, imagination and organizing in community building.

Art is My Occupation

Artismyoccupation.org (AMO) offers direct support to artists and cultural workers dedicated to advancing the stories, struggles and ideas of the 99%. Got an idea for a project? Apply for a grant! The artists’ support program is now online and ready to receive your applications.


Arts, Culture & Environmental Justice Organizing

January 24th, 2012

This conference call focused on how people and organizations across the country are bringing the power of arts and culture to bear on the environmental devastation that is disproportionately affecting poor communities and communities of color. 

Call organizer/moderator
Javiera Benavente, Arts & Democracy Project 

Call Speakers
Monique Verdin
Nick Slie Mondo Bizzaro (New Orleans, LA)
Laura Muraida Southwest Workers Union (San Antonio, TX)
Hodari Davis Life Is Living (San Francisco, CA)

Cultural Organizing: Experiences at the Intersection of Art & Activism

This paper explores the power of cultural organizing with examples of groups and individuals placing art and culture at the center of organizing strategies: organizing from a particular cultural identity, community of place, or worldview. It highlights the work of Third World Majority, Raices, M.U.G.A.B.E.E. and Ricardo Levins Morales.


An Introduction to the Profiles

When the Arts & Democracy Project began in 2005, we spoke with artists and activists from across the country who are exemplars at connecting arts, culture, media, and civic participation. We wanted to know more about the work they did. What made it succeed? What challenges did they face? What did they need to increase the impact of their work? We commissioned a series of profiles to document these conversations; some were updated in 2011-2012. "Insights from Arts and Civic Engagement: 13 Profiles" an essay by Lena Richardson, identifies key themes and insights.

Something Else is Possible

Some of the most powerful change happens in the intersections of generations, cultures, sectors, and geographies. Collected here are stories about these intersections and the people who make them. They are strategic artists and creative organizers, activist anthropologists, poetic politicians, and loving family members. All are engaged in the deeply creative act of believing that something else is possible.

Occupy Movements: Art, Culture & Creative Action

December 2011

This conference call focused on how arts, culture and creative actions are being used as part of the 99% movement across the country.

Call organizer/moderator
Javiera Benavente, Arts & Democracy Project  
Yolanda Hippensteele, Arts & Democracy Project  



Image from Housing is a Human Right

Artists in a Movement Moment

Occupy Wall Street and related actions across the country have captured attention for issues of inequality and injustice and have catalyzed momentum for broad social change. This idea Forum at the National Performance Network conference in Tampa organized by the Arts & Democracy Project took stock of the role of artists in this movement moment. (December 2011)

Anthropology as Social Activism



Alaka Wali and R. Lena Richardson on drumming circles, sustainable conservation, and valuing difference.

By R. Lena Richardson



Quilt at Hopscotch House

Kentucky Foundation for Women Workshop

Arts & Democracy Project held a day-long cultural organizing workshop for women activist artists at the Kentucky Foundation for Women's Hopscotch House retreat just outside of Louisville. 


You Can’t Evict an Idea Whose Time Has Come

By Caron Atlas

At the recent Policy Link Conference in Detroit, at a session called “Holding Ground,” presenters spoke about maintaining equity in a time of cutbacks. At the end of the session, one of the younger audience members asked where in all this talk of holding ground were the progressive ideas, the vision for the future. His question significantly shifted the room.


Back to the Future (Part One)

By Erik Takeshita

We stand on the shoulders of those who came before us. We have a responsibility to those who will come after us. 


These simple yet powerful concepts have been echoing in my head the past few days in New Mexico where I participated in a roundtable discussion held at the Institute of American Indian Arts sponsored by the Open Society Foundations, First People’s Fund, and Arts & Democracy Project. The people I met and the stories I heard reinforced the power of the arts – and more importantly culture – in transforming our communities.
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Highlights from a Gathering on Cultural Organizing and Climate Solutions

Report from a day-long meeting in New York involving musicians, artists, filmmakers, photographers, theater groups, festival producers, chefs and others working to raise public awareness about the threat of climate change and the promise of clean energy. Sponsored by the Chorus Foundation, the gathering was organized and facilitated by Farhad Ebrahimi, Betsy Taylor, Cuong Hoang, and Lauren Nutter. Arts & Democracy presented on arts and social justice organizing.

Creating With a Sense of Strategic Practice


Maribel Alvarez and Jason Bulluck on paying attention to the ‘little stuff', engaging in critical discourse, and understanding how power can be shaken up.

By Jason Bulluck

BCC: Building Collaborative Capacity - NYC

Building Collaborative Capacity is a series of workshops, gatherings, and partnerships that help build the connective tissue necessary to deepen collaborative work so it can be truly effective.

Don't Hesitate, Communicate: Fusing Arts, Culture and Social Change

This report by Holly Sidford for the National Committee for Responsive Philanthropy (NCRP) describes how the distribution of arts grantmaking does not reflect the country's evolving cultural landscape and changing demographics, and considers how to address this inbalance.

Up From the Roots: Economic and Cultural Equity in Naturally Occurring Cultural Districts

The summary findings for a series of roundtable discussions convened in several cities across the United States between 2009 and 2011 to better understand the growth of “naturally occurring cultural districts”—grassroots, culturally based efforts that are bringing about significant changes within a variety of communities—and to learn from their successes and challenges. 

NOCD-NY (The Naturally Occurring Cultural District Working Group)

On August 18, 2010 NOCD-NY, the Naturally Occurring Cultural District Working Group joined with cultural and community leaders and elected officials to launch a citywide alliance to revitalize New York City from the neighborhood up. Arts & Democracy is proud to be part of this coalition. 


Walking the Talk and Talking the Walk

Arts & Democracy Project hosted a People's Potluck in Brooklyn. The potluck was part of a series of artist-led conversations and meals focused on interdependence taking place in the summer of 2011 created by MAPP International Productions in collaboration with Samita Sinha and Create Collective.


From the Highway to Nowhere to the Power of Place

By Caron Atlas

In June and July I was fortunate to attend ROOTS Fest National Learning Exchange in West Baltimore, the Rural Cultural Roundtable in St Paul, and the freeDimensional retreat on Wasan Island in Canada. While diverse in focus, the three events were all grounded in the power of place, culture and creative agency. Collectively they made me reflect on how we can take active roles in creating communities that reflect our values. 


Creative Responses to the 10th Anniversary of 9/11

August 2011

This conference call focused on the 10 Year Anniversary of 9/11 and the programs, cultural convenings and artwork that have helped to heal, facilitate dialogue, build community and move us forward.

Call organizer/moderator
Caron Atlas, The Arts & Democracy Project
Javiera Benavente, The Arts & Democracy Project 


Radio for Community, Art and Culture

July 2011

This conference call was focused on the power of radio in fostering art, culture and community. It provided informattion about an exciting upcoming opportunity for community groups to start their own radio stations.

Call organizer/moderator
Yolanda Hippensteele, Arts & Democracy Project

Call Speakers

Jeff Rousett, Prometheus Radio Project  (national)
Hugo Morales, Radio Bilingue  (national)
John Freeman, KOCZ Radio (Opelousas, Louisiana)

Cultural Organizing and Collaborating Across Sectors at the National Rural Assembly

This session at the 2011 National Rural Assembly in St Paul, MN was a conversation about cultural organizing and collaborating across sectors and the role these approaches play in rural development and social change. Participants shared their own experiences and best practices, and reflected on the recommendations from the Rural Cultural Roundtable that proceeded the Rural Assembly.

Jeremy Frey Porcupine basket c/o Maine Indian Basketmakers Association

Rural Cultural Roundtable

The Rural Cultural Roundtable demonstrated the role of place-based culture and creative industries in rural communities. Coponsored by Arts & Democracy Project, Arts + Community Change Initiative, Center for Rural Startegies, and InCommon, the roundtable took place just prior to the 2011 National Rural Assembly. (June, 2011)

Cultural Organizing Workshop at ROOTS Fest

Artists who are dedicated to social justice often find themselves organizing their communities, their audiences, or even other artists. But what does it mean to be an 'organizer'?  This workshop took place during ROOTS Fest's National Learning Exchange and explored the intersection between culture and organizing. (June, 2011)

Arts & Economic Justice

May 2011

This nation-wide conference call was focused on the role of the arts, culture and media in economic justice organizing and movement building in communities across the U.S.

Call organizers/moderators
Javiera Benavente, Arts & Democracy Project
Michelle Miller, SEIU

Call Speakers

Michael John Garces, Cornerstone Theater/Teatro Jornalero Sin Fronteras (Los Angeles)
Christine Lewis, Domestic Workers United (New York City)
Todd Wolfson, Media Mobilizing Project (Philadelphia)



Music, Memory and Imagination

By amalia deloney

Two separate, yet related–events made me think about music and memory, and the healing properties they offer together.

Fabulous February of Freedom

By Dalia Basiouny

February 2011 was the busiest month of my life. I participated in a revolution that toppled a corrupt regime after 30 years of dictatorship.


Pro-Democracy Organizing in the Middle East & Beyond

February 2011

Focusing on events in Egypt and the extraordinary pro-democracy movements sweeping across North Africa and the Middle East, this conference call highlights how artists, art spaces and cultural organizers in the region and in the U.S. are participating and responding, and how more cultural workers can engage in positive ways.

Call organizers/moderators
Andrea Assaf, Art2Action
Todd Lester, freeDimensional & the Creative Resistance Fund


Call Speakers
Dr. Dalia Basioun, http://egyptvu.com (Egypt)
Khaled Mattawa (Bengazhi, Libya / University of Michigan) 
Ahmed Issawi, Alwan for the Arts (Egypt/New York, NY)


Cultural Organizing for Community Recovery, New Orleans

A report and reflection on the Community Organizing for Cultural Recovery workshop held in New Orleans February 18-20, at the McKenna Museum for African American Art. Its goal was to strengthen capacity to use the tools of creativity, imagination, and organizing in community building.

Update on Belarus Free Theater

The Belarus Free Theater is out of hiding in Belarus and in New York performing its acclaimed play, "Being Harold Pinter" at the Under the Radar Festival until January 16. Two New York Times stories feature the company and review the play:

Little Globe Crosstown #4, Santa Fe Bus Opera - photo Chris Jonas

Inspirations from 2010

By Caron Atlas

Looking back on 2010, I am inspired by the grace and power of the imagination in the midst of challenging times.

Cultural Organizing for Social Justice Idea Forum

How we can further our work by connecting with one another and with sustained strategies for social justice and movement building? This Idea Forum at the 2010 National Performance Network meeting in Dallas, Texas explored this questions with examples of creative activism and cultural organizing. (December, 2010)

Arts & Equitable Development

November 2010

This conference call focuses on the arts and equitable development work that is being conducted in Brooklyn, NY; Harlan County, KY; Skid Row, Los Angeles; and beyond.   

Call organizer/moderator
Caron Atlas, Arts & Democracy Project
Anusha Venkataraman, Arts + Community Change

Call Speakers
Robert Gipe, Higher Ground
John Malpede, Los Angeles Poverty Department
Michael Premo, Housing is a Human Right
Rise Wilson Laundromat Project and Leveraging Investments in Creativity

A New Movement for Humanization

By Caron Atlas

When I first met Grace Lee Boggs in 2003 she transformed me, along with everyone else. Boggs embodies the US Social Forum concept of "another world is possible, another U.S. is necessary," and she celebrated her 95 birthday at the Detroit Social Forum in 2010, looking to the future.

Breaking out of a Bifurcated World

This session at the Grantmakers in the Arts 2010 conference, cosponsored with the Seventh Generation Fund engaged a paradox faced by many funders: While some of the most creative strategies for positive social change live at the intersections of sectors, disciplines, cultures, and generations; many of the practices and structures of philanthropy create silos and disconnect funders from their grantees and their full selves. (October, 2010)

Activist Artist and Media Justice Networking Dinner

The networking dinner, cosponsored with Center for Media Justice, took place at CMJ's Oakland, CA office.  The event inked activist artists, media justice activists, community mediamakers, progressive communicators, and policymakers and provided a forum to share resources across communities. (October, 2010)

Chicago Networking the Networks Dinner

This networking dinner, cosponsored with the Art and Social Justice Preconference Committee and the Indigenous Resource Network, took place at the Grantmakers in the Arts Conference in Chicago, IL. (October 2010)

Arts & Culture Resources for Election Participation

September 2010

Reportback on the Creative Resistance Retreat

From July 10-15 the Creative Resistance retreat brought together leaders from human rights sector, arts networks, and organizations focused on the mobility of culture workers. Sponsored by freeDimensional and hosted at the Breuninger Foundation's Wasan Island center near Toronto, Canada, the retreat provided space for a critical dialogue on the role of arts networks in strengthening the social justice movement globally.

By Caron Atlas


A Rural Conversation

This rural panel, cosponsored with the Center for Rural Strategies, took place as part of Double Edge Theater's Art and Place Gathering held in Ashfield, MA, August 8, 2010.

Ricardo Levins Morales Reportback on the U.S. Social Forum

By Ricardo Levins Morales

Cross-posted from his e-newsletter, reflections from artist Ricardo Levins Morales on his time at the U.S. Social Forum.

Javiera Benavente's Reportback on U.S. Social Forum

By Javiera Benavente

On June 22-26, 2010 the 2nd US Social Forum took place in Detroit, MI, and brought together thousands of people from around the country (and beyond) to participate in a movement-building process that distinguishes itself by focusing on creating space "to come up with peoples' solutions to the economic and ecological crisis" we face in the world today.



Immigrant Rights Organizing

August 2010

Detroit U.S. Social Forum Workshops and Creativity Lab

Modeled after the World Social Forum process that began in Porto Alegre Brazil in 2005, the US Social Forum is grounded in a belief that social, political and economic transformation are not only possible but necessary, and that they must be embodied by a "multi-racial, multi-sectoral, inter-generational, diverse, internationalist movement." Arts & Democracy Project sponsored two workshops at the Social Forum in Detroit in July, 2010, and with several colleagues organized a Creatvity Lab.

 




















Image from the Art Dept. Chronicles  

Open Internet

May 2010


Creative Recovery: Culture, Planning, and Community Engagement course

This experiential mini-course, offered to Pratt Institute urban planning graduate students, investigated arts and culture, broadly defined, as a critical part of envisioning and rebuilding an equitable and sustainable New Orleans. Through site visits, tours, cultural events, and conversations with practitioners and policymakers representing multiple perspectives, the class explored the intersection between arts and culture and participatory planning.

Taking Over and Talking Back

Taking Over and Talking Back tells the story of the community conversations following Danny Hoch’s performances of his play Taking Over in New York City neighborhoods. At the Williamsburg, Brooklyn talkback a longtime resident of Williamsburg's Latino community said, “We fought poverty, violence and blight, and we made the Southside a better place to live. We are now strangers in our own neighborhood, and it’s painful.” 

Brooklyn Networking the Networks dinner

Bringing together a wide range of networks and groups--including Alternate ROOTS, Animating Democracy, Art is Change, Arts & Democracy Project, Arts & Social Justice Working Group, California Alliance of Traditional Arts and Cultures, First Peoples Fund, Grantmakers in Film and Electronic Media, Grantmakers in the Arts, League of Young Voters, MAG-Net, National Association of Latino Arts and Culture, National Performance Network, Opportunity Agenda, and many more--in Brooklyn, NY, October 2009.

White House Briefing on Art, Community, Social Justice and Recovery

On May 12th, 2009, more than 60 artists and creative organizers engaged in civic participation, community development, education, social justice activism, and philanthropy came together for a White House briefing. It was cosponsored by Arts & Democracy Project, Nathan Cummings Foundation, Pratt Center for Community Development, and Arlene Goldbard. This is the report from that briefing.

Cultural Organizing at the Pedagogy and Theater of the Oppressed Conference

This multiracial, intergenerational, and multidisciplinary dialogue between civically engaged artists, cultural organizers, and scholars focused on the intersection between art, culture, and organizing around social change. It addressed both tensions as well as synergies in this work and offered examples of different approaches – some generated by artists and some generated by community organizers. (Minnapolis, May, 2009)

Cross-­Sector Partnerships and the Role of the Arts in Policy and Systems Change

By Erik Takeshita and Anusha Venkataraman

In April of 2009, 27 participants from the arts, community development, education and other diverse sectors around the country met at California State Monterey Bay as part of the Community Arts Convening and Research Project to discuss “Cross-­Sector Partnership and the Role of the Arts in Policy and Systems Change.” This is the report from that session.
Topics


Program

Arts and Activism Convening in partnership with Nathan Cummings Foundation

The Arts & Democracy Project joined with the Nathan Cummings Foundation to organize a convening of the Foundation's grassroots arts activist grantees and their allies November 19-21, 2008.  The convening connected people from across the country to discuss the opportunities, challenges, and exemplary practices of linking arts and activism. This is the summary report from the convening.

Cultural Organizing for Progressive Change session at the National Organizers Alliance Gathering VI

This session at the Baltimore National Organizers Alliance conference featured three guest presenters: Walda Katz-Fisgman, Project South; Jerome Scott, Project South; and Ricardo Levins Morales, Northland Poster Collective (July, 2008)

Cultural Organizing for Progressive Change at Michigan Policy Summit

The session explored the power of cultural organizing to expand who is included in organizing and how they are included, creatively frame and communicate visions of change, encourage critical thinking, break down fear, and humanize polarized issues. (Lansing, May 2008)

From Activist Art to Cultural Organizing at Intersection V conference

An interdisciplinary dialogue between artists and organizers, co-organized with New World Theatre, that provided frameworks and went deeper into examples and issues related to cultural organizing. What's the difference between issue-based art and cultural organizing?  What are some of the successes and challenges artists and organizers have experienced in working together? Where does your work fit in the spectrum? (Amherst, MA April 2008)

Learning Community Gathering

This was a key gathering in Arts & Democracy Project's early years which brought together active participants from previously gatherings across the country to help the Arts & Democracy Project shaoe its upcoming plans. The group  committed to continuing as advisors and a core constituency of the Arts & Democracy and formed themselves into an ongoing "Learning Community".  The gathering was cosponsored by Service Workers International's Greenhouse Project and was held at SEIU. (Washington DC, February 2008)

Hip Hop artist and activist gathering

In this strategic conversation, cosponsored with the League of Young Voters, Hip Hop artists, presenters, and activists shared their plans for 2008 and how they might collaborate in their work. 

State of the Nation Gathering

This three-day conversation on cultural organizing, cosponsored with M.U.G.A.B.E.E. and Alternate Roots was part of the 4th Annual State of the Nation Festival in Jackson, MS. The State of the Nation Festival is dedicated to strengthening relationships and supporting collaboration between artists from Louisiana and Mississippi who are committed to addressing social, political, and economic justice issues facing the region. The length of time allotted to this conversation allowed several participants to present their work to the group and to develop an honest conversation about the challenges of the work and how to overcome them. (October 2007)

Highlander 75th Anniversary Celebration Gathering

This gathering took place as part of the Highlander Center’s 75th Anniversary and followed a one-day institute on cultural organizing that was also part of the celebration.  The goal of Highlander was and is to provide education and support to poor and working people fighting economic injustice, poverty, prejudice, and environmental destruction.  Presenters at the gathering included: co-facilitators Anasa Trautman, Highlander Center; Caron Atlas and Javiera Benavente, Arts & Democracy Project; Amelia Kirby, Appalshop; Carlton Turner, Alternate Roots; Michelle Miller, SEIU; Mathew Jones, SNCC Freedom Singers; and Baldemar Velazquez, Farm Labor Organizer Committee.

Atlanta United States Social Forum

The Arts & Democracy Project’s session on cultural organizing at the first-ever USSF in Atlanta had a standing room only crowd of 60 people. (June 2007)

Rural Cultural Organizer Gathering

This was a small 1.5 day-long strategic national gathering of cultural organizers cosponsored by the Main Street Project /Raices, Center for Rural Strategies, and the Humboldt Area Foundation in Klamath, CA, April 2007.  Also participating were Alternate Roots, Appalshop, Central Valley Partnership for Citizenship, Llano Grande Center, Feral Arts, United Indian Health Services, and Northland Poster Collective.


Imaging the Frame, Framing the Image

In the first years of the Arts & Democracy Project we co-convened small conversations to learn about the needs and interests of artists and activists across the country. Our first one, cosponsored with the New Progressive Coalition, took place at la Pena in Berkeley, bringing together over twenty Bay Area artists, activists, and cultural organizers for a discussion about the relationship between framing, community cultural development, arts, and organizing.  (March 2007)

Cultural Organizing: A Conversation at the Intersection

At the 2005 Grantmakers in the Arts conference a group of activist artists, community organizers and funders began a conversation about the purposeful intersection of art and activism. That session stimulated follow-up e-mail exchanges and writing among the conference participants and a few others. The resulting discussion is reflected in this article, published in the Summer 2006 GIA Reader. Our intention was to make cultural organizing visible by sharing its principles, demonstrating its rigor and creativity, and illustrating its diverse methodologies.

ACCESS and the Arab American National Museum

Since 1972, the Arab Community Center for Economic and Social Services (ACCESS) has supported community building and empowerment for the Arab-American community in Dearborn, Michigan.  In May 2005, ACCESS opened the first-ever Arab American National Museum devoted solely to Arab-American history and art, in order to exemplify that art nourishes the spirit and helps to build relationships.   

All-Ages Movement Project

All-Ages Movement Project (AMP) is a member-driven network of community based organizations that connect young people through independent music and art.  Founder of AMP, Shannon Stewart speaks of the importance and benefit of fostering democratic culture and leadership through youth-run music and cultural spaces.


Appalshop and Robert Salyer

Appalshop is a multi-disciplinary arts/education center in the heart of Appalachia that produces original films, video, theater, music and spoken-word recordings, radio, photography, multimedia, and books and provides the tools for documenting local stories.  It encourages the questioning of media as an information source while building media literacy.

Future of Music Coalition

The Future of Music Coalition (FMC) gathers knowledge, translates and educates in the fields of music, technology, public policy, and law to promote public understanding and discussion about freedom of speech, control of music production and distribution, and public ownership of the airwaves and bandwidth.

Hip Hop Congress

The Hip Hop Congress (HHC) is a 501(c)(3) nonprofit organization that uses powerful potential of hip-hop culture to foster social action, civic service, and cultural creativity among young people.  HHC works to develop organizing skills and civic engagement among community members, with a human rights and social justice movement building focus. 

Los Angeles Poverty Department

The Los Angeles Poverty Department, founded in 1985 and rooted in Los Angeles' Skid Row neighborhood, intends to "create performance work that connects lived experience to the social forces that shape the lives and communities of people living in poverty."  These performances raise consciousness about social and political issues, while also creating opportunities for people to intervene in policy decisions that affect their lives.

League of Young Voters

The League of Young Voters is a national organization that supports young people in developing the power to solve problems facing their communities.  They work with those "who have been shut out of the political process to make politics fun, engaging, relevant, and meaningful."
 

Marty Pottenger

Marty Pottenger is a critically acclaimed writer, director, and performer with more than 20 years of experience in creating and directing community-based arts initiatives. She uses art to "reveal the underlying connection between people, and activate people's inherent desire and momentum for justice and equity."

Sojourn Theatre

Based in Portland, Oregon, Sojourn Theatre creates community-engaged theatrical productions that have explored a broad array of social issues, ranging from the Oregon school system (Witness Our Schools), the future of Portland as a city (One Day), and the meaning and impact of going to war (The War Project).  

Urban Bush Women

Throughout its 23-year history, the Urban Bush Women performance ensemble has spoken of the power of the spiritual tradtions of African American and the African Diaspora community through dance, music and storytelling.
 

We Got Issues!

Founded in 2003, We Got Issues! (WGI!) is a women-led movement and performance project which focuses on young women's leadership through the the power of creative expression.  WGI! is committed to creating a safe and supportive space for all women across race, class, gender, and socio-political lines.

Working Films

In my work as a curator, I was excited that 200 people could sit in a dark room, see a film, be moved, and ask, "what can we do?"...So then, Judith Helfand and I began to think about an organization that could deliberately connect the non-fiction stories of struggles with ground-level activists and organizers.  -- Robert West.

Direct and Indirect Approaches to Community Change


Littleglobe and SouthWest Organizing Project talk about finding a relationship between community-engaged arts and organizing.

By Valerie Martinez, Robby Rodriguez, Molly Sturges, and Rosina Roibal

Incarceration, Fatherhood, and Artmaking


Carol Fennelly and Ayo Ngozi on artmaking with fathers and children in federal and state prisons.

By Ayo Ngozi and Carol Fennelly

Listening to the Stories Underneath the Work We Do


Paula Allen and R. Lena Richardson talk about traditional arts and culture as resources for Native community health.

By R. Lena Richardson

Multifaceted Art of Community Planning


Ron Shiffman and Anusha Venkataraman consider the intersections of organizing, creative practice, and community-based development.

By Anusha Venkataraman

New Paradigms of Artful Change


A discussion about whether art can be as powerful a vehicle for change as it can be a bastion for maintaining the status quo.

By Dudley Cocke, Peter Pennekamp, and Craig McGarvey

Power of Art To Move People


Ismael Ahmed and Anan Ameri discuss the extraordinary model of the Arab Community Center for Economic and Social Services (ACCESS).

By Anan Ameri

Tensions and Synergies of Being Strategic and Creative


Brad Lander and Esther Robinson discuss organizing and art, anthropological listening, and whether being holistic is important.

By Esther Robinson

Who Will Carry the Work Forward?


An intergenerational conversation at the State of the Nation festival and a tribute to Nayo Watkins.

By Caron Atlas, R. Lena Richardson, and Carlton Turner

Arts of Regional Change

The Art of Regional Change (ARC) brings together scholars, students, artists, and community groups to collaborate on media arts projects that strengthen communities, generate engaged scholarship, and inform regional decision making. Founded by media artist jesikah maria ross, ARC is a joint project of the University of California at Davis Humanities Institute and the UC Davis Center for Regional Change.

A Youth Voices Curriculum Resource and Guidebook developed to help other communities engage in similar projects is planned for spring 2012.


Center for Urban Pedagogy

The Center for Urban Pedagogy (CUP) Making Policy Public series of foldout posters uses graphic design to explore and explain public policy. Each poster is the result of collaboration between a designer, an advocate, and CUP.  To date, CUP has produced eight posters/instructional pamphlets on issues ranging from affordable housing to the rights of domestic workers.


Operation Paydirt / Fundred Dollar Bill Project

Operation Paydirt/Fundred Dollar Bill Project (Paydirt/Fundred) is a multidisciplinary, artist-driven project addressing the national crisis of lead-contaminated soil. With the self-expression of the young people most affected by lead contamination, these projects propose a solution that incorporates demonstrated scientific procedure. The approach extends across disciplines of art, science, and education and is sensitive to aspects of community development and urban infrastructure. 


Not In Our Town (NIOT)

Not in Our Town (NIOT) is a national organization that creates films and video, and facilitates convenings to help communities working together to stop hate through creative anti-bias programs and responses. Anchored by a social networking website, NIOT documents and shares initiatives, helps link individuals and groups, and provides guidance for positive intergroup responses to hateful actions. Aired on PBS stations on September 21, 2011 (http://www.niot.org/lightinthedarkness), and screened at venues around the country, Light in the Darkness is the latest in a series of films produced by the Working Group of NIOT. In addition to their documentary work, NIOT has produced over 45 videos (http://www.niot.org/videos).

Llano Grande

The Llano Grande Center for Research and Development’s vision is to inspire a youth culture that aspires to attend college and engage in community change. Beginning informally in the early 1990s with activities intended to show Edcouch-Elsa High School students in Texas that college was both possible and necessary for them, the Llano Grande Center was formalized in 1997 as a program of the Edcouch-Elsa Independent School District (EEISD). The center has trained students, educators, and community development agents locally, nationally, and internationally on how to distinguish, tell, and use their story to achieve community change. 


Sojourn Theatre

Sojourn Theatre is an ensemble of ten core artists creating new performances  in Portland, Oregon, and around the country. Their innovative work shares a goal of bringing together strangers to collectively experience and strategize in arts-based civic dialogue projects. Sojourn’s members are nationally recognized for their innovation as artists and engagement practitioners, and the company’s work is featured regularly at conferences and universities nationwide as a "best practice model" for arts-based civic dialogue projects. 

The Strength of Scribe, Where Videos Give Voice to Unheard Stories

Scribe Video Center came into being in December 1982. It was founded by Louis Massiah as a place where individuals and communities could learn media making and explore the use of video as both an artistic medium and a tool for progressive social change. The center has grown in size from a small rented workshop space to an internationally recognized media arts education center in a 4,000-square-foot loft that has helped thousands of people and over 150 community groups document their passions and concerns in some 200 videos produced with the center’s support.